ENGLISH 202-B: BRITISH LITERATURE 2

SPRING 2004

 

COURSE INFORMATION: British Literature 2 (3 semester hours). "A survey of British literature beginning with the Romantic period and continuing through the works of the Twentieth Century. Major authors and their works emphasized. Prerequisites: ENG 101 and 102."

 

CLASS MEETING TIMES AND LOCATIONS: 1-1:50 MWF in W004.

 

INSTRUCTOR: Dr. Jim Haughey, Associate Professor of English.

 

OFFICE LOCATION AND TELEPHONE: office: Faculty Office Building #4. Office phone: 231-2158.

 

OFFICE HOURS: MWF: 12-1; MW: 2-3; TR: 11:45-12:45. All other times by appointment.

 

HOME PHONE: 868-0623. No calls after 9 p.m. please. All e-mail correspondence between instructor and student should occur with the assigned campus e-mail addresses. My e-mail address is <Jhaughey@ac.edu>.

 

COURSE PURPOSE AND GOALS: This course is designed to acquaint students with the work of the major authors of the Romantic, Victorian, and Twentieth Century periods in British literature. Students will learn to identify the various themes and literary genres of each period and be familiar with the major historical and biographical influences of each work. Students should also be able to locate secondary sources and correctly document any sources cited in their essays.

 

COURSE OBJECTIVES: At the end of the course, students should be able to:

 

1.      List the three major periods of British literature (as outlined in the

      textbook).

 

2.      For each of these periods, give the dates usually associated with it, 

     discuss its major characteristics and emphases, list its major authors,

     and describe its major genres.

 

3.      Discuss how each author's work reflects the concerns of the period as

      well as how that author  has made a unique contribution to the

     development of English language and literature.

    

4.      Identify and describe the key ideas, issues, and literary techniques in the works you have read.

 

5.      Analyze (read critically) literature from a variety of perspectives.

 

6.      Write a well-organized, well-developed essay on selected aspects of a period, author, or literary work, incorporating the results of library research and your own analysis.

 

7.      Participate in classroom discussion of the assigned material.

 

8.      Use the MLA documentation format on all written assignments.

 

METHODS OF ASSESSMENT: Your final grade will be determined primarily by the grades on your paper, tests, quizzes, and final exam. Class attendance and participation will also be considered. Final grades will be determined by the degree of success on the following assignments:

 

Test on Novel..……….100 PTS

Quizzes………………..200 PTS

Two tests..……………..400 PTS

Final exam..…………..300 PTS

 

STUDENT FEEDBACK AND GRADING SCALE: I will be glad to talk with you whenever you think I can help, including giving advice on preliminary drafts of the essay. Don't wait until an assignment is due the next day to get help.

 

Grades will be determined by the following scale:

 

A: 900-1000

B: 800-899

C: 700-799

D: 600-699

F: 0-599

 

The grade for your final exam essay will be determined according to how well the essay demonstrates the characteristics of good essay form and style.  A good essay effectively states and develops a central idea.  It shows originality of thought and style, and in both instances is exceptional work. Its ideas are clear, logical, and thought provoking. The presentation is unified, coherent, and interesting. A good essay should contain all of the qualities of good writing listed below.

 

1.      Concentration on a central purpose with adequate development and

      firm support.

    

2.  Consistence in point of view.

    

3.  Selection of details that will arouse interest.

    

4.  Selection of effective words and phrases.

    

5.      Effective construction and organization of sentences

     and paragraphs.

    

6.  Careful use of effective transitional devices.

 

7.      Accurately documented secondary sources.

 

CONTENT OUTLINE: The essay should be at least 400 words in length. Topics will be distributed.

 

Paper deadline and exam dates:

 

Test on Romanticism: Feb. 11, 2004

Test on Victorianism: March 5, 2004

Test on Novel: April 5, 2004

Final exam: 3-5 p.m. April 29, 2004

 

METHODS OF INSTRUCTION: Most of our time will be taken up with discussing the reading assignments. Bring notebooks and pens to class everyday. Apart from class discussion, time will be given to small group work and A-V presentations.

 

COURSE CALENDAR (tentative):

 

The Romantic Period (1785-1830)

Week One:

 

F. Jan. 9: Intro to the course and syllabus.

 

Week Two:

 

M. Jan. 12:  Read the “Romantics and Their Contemporaries”: 3-28.

 

W. Jan. 14: Read intro to William Blake (74-76); intro to Songs of

                    Innocence and of Experience (77-78); "The Lamb" (79); "The

                   Chimney Sweeper" (81);  "Holy Thursday" (82).

 

F. Jan. 16:  Read  "The Clod & the Pebble" (88); "Holy Thursday" (88); "The

                   Chimney Sweeper" (89); “The Praise of Chimney-Sweepers”

                   (83- 85).

 

Week Three:

 

M. Jan. 19: Read "The Tyger" (88-89); "London" (91); "A Poison Tree" (92-93).

 

W. Jan. 21: Read intro to Robert Burns (188-189); “To a Mouse” (189-190);

                   “A Red, Red Rose” (192); “Scots, wha hae wi’ Wallace bled”

                   (191-192).

 

F. Jan. 23:  Read intro to William Wordsworth (194-197); "Lines Written in

                   Early Spring" (201-202);  "The world is too much with us" (234);

                   Lyrical Ballads (206-212).

 

Week Four:

 

M. Jan. 26: Read “I Wandered Lonely as a Cloud" (282); "The Solitary

                    Reaper" (289);  "Composed Upon Westminster Bridge,

                    September 3, 1802" (234).

 

W. Jan. 28:  Read intro to S. T. Coleridge (323-324);  "Kubla Khan" (342-343).

 

F. Jan. 30: Read "The Rime of the Ancient Mariner" (326-341).

 

Week Five:

 

M. Feb.2: Read intro to Lord Byron (356-357); "She walks in beauty" (358);

                “So, we’ll go no more a roving” (358); “On This Day I Complete

                My Thirty-Sixth Year” (390).

 

W. Feb. 4:  Read intro to Shelley (391-393); "Ozymandias" (399);  "Ode to

                   the West Wind" (399-401).

 

F. Feb. 6: Read intro to Keats (421-423); "On First Looking into Chapman's

                Homer" (423); “Ode to a Nightingale" (438-440);  “Ode on a

                Grecian Urn" (440-441).

 

Week Six:

 

M. Feb. 9: Read "To Autumn" (443); selected letters (444-446). Study Review

                  on Romanticism.

 

W. Feb. 11: Test 1 on Romanticism (200 pts)

 

The Victorian Age (1830-1901)

 

F. Feb. 13: Read Intro to The Victorian Age; read 451-473.

 

Week Seven:

 

M. Feb. 16: Read intro to Tennyson (583-586); "Mariana" (586-588); "The

                    Lady of Shalott" (588-593).

.

W. Feb. 18: Read "Ulysses" (593-594); "The Charge of the Light Brigade"

                    (615-616); “Crossing the Bar” (616).

 

F. Feb. 20: Read intro to Robert Browning (659-662); "Porphyria's Lover"

                  (662) “My Last Duchess" (663).

 

Week Eight:

 

M. Feb. 23: Read intro to Christina Rossetti (756-758); "Goblin Market” (759-                 

                    771).

 

W. Feb. 25: Read intro Matthew Arnold (749-751); “Dover Beach” (751);

                    Culture and Anarchy (752-754).

 

F. Feb. 27: Read intro to Gerard Manley Hopkins (773-774); "God's

                  Grandeur" (774); "The Windhover" (775)); "Pied Beauty" (775).

                  and "Thou Art Indeed Just, Lord" (778).

 

Week Nine:

 

M. Mar. 1: Read intro to Oscar Wilde (828-830); The Importance of Being     

                  Earnest (847-887).

 

W. Mar. 3: Finish The Importance of Being Earnest and review for test.

 

F. Mar. 5:  Test on Victorianism (200 pts)

 

Week Ten:

 

M. Mar. 8: Read intro to the Twentieth Century (920-942).

 

W. Mar. 10: Read intro to Thomas Hardy (1071-1073); "Hap" (1073);

                   "The Darkling Thrush" (1074); Channel Firing" (1077); "The

                   Convergence of the Twain" (1076).

        

F. Mar. 12: Read intro to T.S. Eliot (1191-1194); “The Love Song of J. Alfred

                  Prufrock” (1194-1197).

 

Week Eleven: No classes—Spring Break March 13-21

 

Week Twelve:

 

M. Mar. 22:  Read “The Great War: Confronting the Modern” (1080); read

                      intro to Rupert Brooke (1096); “The Soldier” (1098); Read intro

                      to Siegfried Sassoon (1099); “Glory of Women” ( 1099) and

                      “Counter Attack” (handout).

 

W. Mar. 24: Read Intro to Wilfred Owen (1100); “Anthem for Doomed

                    Youth” (1100); “Strange Meeting” (1101).

 

F. Mar. 26: Read “Dulce et Decorum Est” (1102); read intro to Isaac                                                                                                                                           

                   Rosenberg (1103); “Break of Day in the Trenches” (1103).

 

Week Thirteen:

 

M. Mar.29: Read intro W. B. Yeats (1113-1117); "The Lake Isle of Innisfree"

                   (1117); “No Second Troy” (1118); "The Second Coming" (1122-

                    1123).

 

W. Mar. 31: Read “Easter, 1916”  (1119-21); Proclamation of the Irish

                    Republic (1121-1122).

 

F. Apr. 2: Read intro to D. H. Lawrence (1315-1318); “Odour of

               Chrysanthemums” (1318-1330).

 

Week Fourteen:

 

M. Apr. 5: Read The Remains of the Day. TEST ON NOVEL (100 pts).

 

W. Apr. 7: Read The Remains of the Day.

 

F. Apr. 9: No class—Good Friday holiday.

 

Week Fifteen:

 

M. Apr. 12: Finish The Remains of the Day.

 

 

W. Apr. 14: Read intro to W. H. Auden (1331-1333); “Museé des Beaux”

                   (1333); “September 1, 1939” (1335-1337).

 

F. Apr. 16: Read intro to Dylan Thomas (1371); "Do Not Go Gentle Into                                                                                               

                  That Good Night" (1373); read intro to Philip Larkin (1384);

                  “MCMXIV” (1385).

 

Week Sixteen:

 

M. Apr. 19: Read selected Larkin poems (handout).

 

W. Apr. 21: Read intro to Seamus Heaney (1386-1387); “A Postcard from

                    North Antrim” (1387-1389); “Punishment” (1391-1392).

 

F. Apr. 23: Read intro to Eavan Boland (1416); “The Pomegranate” (1417);

                  “A Woman Painted on a Leaf” (1419); and Mise Eire (1419).

 

Week Seventeen:

 

M. Apr. 26:  Last Class; Review for Final Exam on the Twentieth Century.

 

FINAL EXAM: Thursday April 29 3-5 P.M. (200 pts).

 

Note: bold print indicates major assignment due. All page references are to the Longman Anthology.

 

TEXTBOOKS:

 

Ishiguro, Kazuo. The Remains of the Day. New York: Vintage, 1990.

 

The Longman Anthology of British Literature Volume B. Ed. David

Damrosch et al. New York: Pearson Longman, 2004.

 

          

COMPUTER AND INFORMATION TECHNOLOGY: Students are encouraged to use computers in the college's Vandiver (101) and Watkins (104) computer facilities. The Johnston Memorial Library is located on the front campus. Hours of operation are posted outside the library. Personal and career counseling services are located through Student Services, 3rd floor Merritt Bldg. Academic Counseling is available from your academic advisor or from Mrs. Linda Carlson's office, next door to Watkins 102, in the Academic Services Center.

 

COURSE POLICIES: The number of allowable absences FOR ANY REASON is 8. When you are absent, you are still responsible for any work assigned. No distinctions are made between excused or unexcused absences. If you exceed the maximum number of absences you will be dropped from the course and/or receive a failing grade for the class.

 

TARDINESS: Punctuality is important. Three unexcused tardies will equal one absence.

 

PLAGIARISM: A serious offense, which may result in receiving an F in the course. See student handbook.

 

LATE POLICIES: Any work submitted late will receive a 10% late penalty and you must submit the work no later than one week after the due date. After that, no late work will be accepted. Students with excused absences are expected to bring assigned work with them the next time the class meets; no penalty will be assessed.

       

WITHDRAWAL: Any student who misses more than three classes during the first week will be withdrawn from the course. Otherwise, each is student is responsible for initiating the withdrawal process. Last day to withdraw without a grade is Jan 21; last day to withdraw and receive a W is March 9.

 

LEARNING FACILITIES: Students who require assistance with assignments should contact the instructor and/or seek help at the college Writing Center. Hours of operation are posted outside Watkins 102. Secondary research should be conducted at the college library (Johnston Memorial Library). Both computer labs (located in Vandiver and Watkins) are under the direction of Mr. Doug Davison; contact him if you need help.